Nowhere Fast

Owen Harries photographs Robert, a forty-two year old recovering heroin addict from Cwmbran, South Wales

Words by Owen Harries

This is the story of Robert, a forty-two year old recovering heroin addict. He has spent seventeen years of his life addicted to heroin, six months of those in prison. Due to his epilepsy he is unable to drive or work. He lives in a tower block in Cwmbran, South Wales.

A building in disrepair, crippled with concrete cancer, it has twenty floors and eighty flats. It is the place where the unwanted are put, filled with drug addicts, drug dealers, alcoholics, convicted pedophiles, amongst other people scraping a living below the poverty line. In the middle of all of this, Robert lives on the tenth floor.


Zora J Murff’s anonymous portraits of young offenders explore how concepts of control and privacy can affect rehabilitation and development

Words by Zora Murff

Linn County Juvenile Detention and Diversion Services (JDDS) were established to provide detention, monitoring, and rehabilitation services to adolescents who have committed crimes and have been placed on probation. I have spent the last two years working for JDDS as a Tracker. As a Tracker, my job is to be a consequence, to insert myself in the lives of youths in an attempt to control and correct delinquency, while the adolescents struggle with exerting control over their development into adulthood.

When youths are ordered to complete probation, they are asked to comply with many expectations which may include: electronic monitoring, drug screening, completing therapies, and community service. Spending an abundance of time with them, I have observed the environment of discord that develops between the adolescent and service providers as well as between the system and outcomes. The service providers involved have the best intentions in mind for the youth, but often the youths feel that they have done nothing wrong, are victims of circumstance, or sometimes do not fully understand themselves why they have committed a crime. The system has been put in place to provide rehabilitation, but it is not a straightforward process and there are often relapses and recidivism, some of the youths spending a majority of their adolescence with a level of involvement in the juvenile justice system.

Through the use of anonymous portraiture, visiting locations where they have committed crimes, and reflections of the youths, Corrections serves as an appraisal of their experiences in the juvenile justice system in an attempt to gain an understanding of how the broader concepts of control and privacy affects their rehabilitation and development.

The Flayed Cats

Photographer, Aurélia Foucher’s on-going series explores the intimacy of friendship

Words by Aurélia Foucher

Ordinary moments shared with my friends. A daily life multiplied in an intimate way. Throughout different mediums, it is recreated, repeated - many eyes for a diffracted reality. Images which reveal the intemporality of these floating moments, between memory and imaginary. A collective loneliness constantly searching new identities.

I reckon photography detains this reassuring power that sublimates simplicity. Detail. Beauty remains in the intention of observing, to create something else. Exist, again, always. But in a different way.

As a publisher and Community Interest Company, TRIP is dedicated to showcasing unconventional stories that may otherwise be overlooked. We aim to give a platform to the unseen and a microphone to the ignored. Expression is a right and should not be confined to those that can afford to work for free; which is why we strive to support a diverse range of creatives in their work, commissioning exciting projects and creatives to visualize them.

Founded as a magazine in 2013 by photographer, Dean Davies, TRIP was born from a desire to provide opportunity and exposure for image-makers across multiple platforms and medias. With a focus on people and place, in 5 years TRIP gained a loyal readership, and became known for its honest image output and representation of the underrepresented, featuring over 800 image-makers from across the world through a website, 5 magazines and 3 free zines.

As TRIP C.I.C. we are not interested in profiting from the activities of the organization, and re-invest all income back in to consecutive publishing projects.

Dean Davies
Alfie Allen

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