Jan Klos explores gender and identity in a series capturing drag performers in their homes
Words by Jan Klos
Drag today is more popular than ever, hitting the mainstream through television shows and major advertising campaigns. It is said we are in the middle of an exciting gender revolution and drag plays a huge part in this. From academics and broadcasters to Twitter users and your taxi driver, conversations around gender and identity politics are big news, and across the world more LGBTQ+ people are experimenting with drag in its various forms, using the space it provides to play with gender, performance and identity.
Shot away from the bars, clubs and stages they’re most often associated with, these portraits go ‘behind-the-scenes’ and capture drag performers in the spaces most familiar to them: their homes. A home is another extension of a person’s identity, and I wanted to juxtapose the carefully crafted drag alter ego with the day-to-day identity of their creator, in effect marrying the two personas and giving a full and layered picture of each sitter’s identity.
Photographer, Leticia Batty explores how Sheffield’s architectural identity has been forged by its industrial past
Words by Leticia Batty
'A town like Sheffield assumes a kind of sinister magnificence' - George Orwell.
Sheffield is a town with its identity forged from its industrial past. This project stands as a testimony to this; an account of the defining structural elements that shape a city. In this series the pragmatic yet intimate nature of the images project the effect of the grind of industry over the city of Sheffield.
Clark Warburton challenges the stereotypical image of the travelling community in a series of intimate portraits shot at home
Words by Clark Warburton
The travelling community has been a subject of photography for a long time, most recently in Perry Ogden’s 'Pony Kids' and Sophie Green’s 'Gypsy Gold', both of which I am a huge fan. The difference between some photographer’s documentation and mine is that I know the people I photographed, from my best friend’s mother, childhood friend’s children, people I’ve worked with in the past and even just acquaintances.
I knew that doing this project was going to be a struggle as the community prefer to keep a private lifestyle, but in a generation where we are fed ‘Big Fat Gypsy Wedding’ stereotypes by media, I wanted to show a true-to-life study of the travellers I know, a side that is kind, honest, straightforward, funny, and raw. I wanted to capture the broad face of a modern Gypsy and show a contemporary representation. Not all live in caravans, not all marry young and not all skipped school. I took photographs of their possessions, their crown derby sitting on TV cabinet, their stables, rosary beads hanging from their car mirror, their dogs, their tattoo’s and their homes.
The series was photographed just after Christmas, when nothing is going on except real life, no summer horse fairs like Appleby or Kenilworth and no flashy extravaganza. The sensitivity speaks through the photographs.
As a publisher and Community Interest Company, TRIP is dedicated to showcasing unconventional stories that may otherwise be overlooked. We aim to give a platform to the unseen and a microphone to the ignored. Expression is a right and should not be confined to those that can afford to work for free; which is why we strive to support a diverse range of creatives in their work, commissioning exciting projects and creatives to visualize them.
Founded as a magazine in 2013 by photographer, Dean Davies, TRIP was born from a desire to provide opportunity and exposure for image-makers across multiple platforms and medias. With a focus on people and place, in 5 years TRIP gained a loyal readership, and became known for its honest image output and representation of the underrepresented, featuring over 800 image-makers from across the world through a website, 5 magazines and 3 free zines.
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